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With approximately twice the strength of the KR 1.5, the KR 3 filter reduces blue and green. Even the strong blue cast of a high standing sun in a cloudless azure-blue sky, in regions with especially clear air, or the haze in distant views is removed very effectively. This filter also blocks disturbing UV radiation completely. Its filter factor is approximately 1.2.

The B+W Filter Company has been manufacturing optical filters for over 50 years. Their filters use Schott optical glass from which the filters are diamond cut, precision ground and then polished to ensure flatness on both surfaces and uniform thickness throughout. These, among other innovative measures, allow them to offer filters that meet the needs of even the most discriminating users.B+W KB 1.5 [82A]This light-blue filter absorbs the excess y

The B+W Filter Company has been manufacturing optical filters for over 50 years. Their filters use Schott optical glass from which the filters are diamond cut, precision ground and then polished to ensure flatness on both surfaces and uniform thickness throughout. These, among other innovative measures, allow them to offer filters that meet the needs of even the most discriminating users.B+W KB 3 [82C]Red tones, which are in the middle color temp

This filter differs from the yellow-green filter primarily because of its increased red attenuation. A red roof or red flowers will become even darker, as will red lips and a dark tan and, unfortunately, so will skin blemishes. This filter is ideal for nature photography. In object photography, it is good for darker reds and lighter greens.Its filter factor is appr. 3.

The 80 series of filters are blue. They are used to balance daylight film under artificial, tungsten or standard (household) incandescent lighting. Depending on the percentage of red, conventional household bulbs require more extreme color temperature conversion with daylight balanced film. The B&W KB20 provides additional colour correction under these circumstances.

This nearly medium blue conversion filter neutralises the strong red tendency of light at sunrise or sunset out in the open when the original colours of the subjects are wanted instead of a warm morning or evening mood is required. In addition the KB6 filter is ideal for "under corrected" filtering of artificial light photographs or colour negative films.

This is the classic filter for architectural photography. White fa?§ades glow brightly, the blue sky is darkened dramatically and clouds become more impressive. It is also excellent for spectacular landscape photographs with greatly improved distant views. Its filter factor is approximately 5.

091 Dark Red 39mm

041 RED-ORANGE 39mm

With strong blue suppression, which extends into the blue-green, clouds in the sky look very natural, but not yet dramatic. Distant views with light haze become clearer. An ideal filter, especially for landscape and plant photographs. Its filter factor is approximately 2.